Composer
b. 1978 · Peruvian
33 catalogued orchestral works — 32 with instrumentation confirmed against a source, 1 still marked TBD. We publish TBD rather than a guess.
| Year | Work | Instrumentation | Dur. |
|---|---|---|---|
| 1999 | Arco de Luz — Concerto for Tenor Saxophone | TBD | 8' |
| 2002 | Aires de Marinera (big-band arrangement) | big band: 5 sax (2 alto, 2 tenor, bari), 4 tpt, 3 tbn, double bass, drum set | 6' |
| 2002 | Carnynx | 2 2 2 2 — 3 2 0 0 — tmp+1 — str | 12' |
| 2004 | Los Magos del Silencio (ballet) | 2 2 2 2 — 4 4 3 1 — tmp+2 — str | 50' |
| 2004 | Los Magos del Silencio (orchestral suite) | 2 2 2 2 — 4 2 3 1 — tmp+2 — str | 24' |
| 2004 | Varem — Concerto for Koto | 3 2 3 3 — 3 2 0 1 — tmp+2 — str | 27' |
| 2005 | A Wedding Blast | 2 2 2 2 — 2 2 2 1 — tmp+1 — str | 2' |
| 2006 | América Salvaje | 2 2 2 2 — 3 3 3 1 — perc — pf — str | 14' |
| 2007 | Epiphany — Concerto for Piano | 0 0 0 0 — 3 3 3 1 — tmp+2 — str | 15' |
| 2007 | Fiesta! | 2 2 2 2 — 4 2 3 1 — tmp+2 — str | 10' |
| 2010 | Avec Swing | 1 1 1 1 — 1 1 0 0 — drum set — str (1.1.1.1.1) | 6' |
| 2010 | Lago de Lágrimas — Concerto for Flute | 2 2 2 2 — 4 2 3 1 — perc — hp — str | 22' |
| 2011 | Synesthésie | 3 3 3 3 — 4 3 3 1 — tmp+3 — hp — str | 11' |
| 2012 | Lord of the Air — Concerto for Cello | 2 2 2 2 — 4 2 0 0 — tmp+2 — hp — str | 24' |
| 2012 | Perú Negro | 3 3 3 3 — 4 3 3 1 — tmp+3 — str | 17' |
| 2015 | Bel Canto (complete opera) · opera · chorus | 3 3 3 3 — 4 3 3 1 — tmp+3 — hp, pf — str | 150' |
| 2015 | Man and Man | 1 1 1 1 — 3 0 0 0 — str (1.1.1.1.1) | 7' |
| 2016 | Symphony No. 1 “The Travails of Persiles and Sigismunda” | 3 3 2 2 — 4 2 3 1 — tmp+2 — hp, cel — str | 45' |
| 2017 | Aurora — Concerto for Violin | 2 2 2 2 — 4 2 3 1 — tmp+3 — str | 32' |
| 2017 | Bel Canto: A Symphonic Canvas | 3 3 3 3 — 4 3 3 1 — tmp+3 — hp — str | 30' |
| 2017 | Guardian of the Horizon — Double Concerto for Violin & Cello | solo vn & vc — str | 15' |
| 2018 | Dreamers (oratorio) · chorus | 3 3 3 3 — 4 3 3 1 — tmp+3 — hp — str | 44' |
| 2019 | Pago a la Tierra | 2 2 2 2 — 4 2 3 1 — tmp+2 — hp — str | 5' |
| 2019 | Symphony No. 2 “Ad Astra” | 3 3 3 3 — 4 7 3 1 — tmp+3 — hp, cel — str | 45' |
| 2020 | Rise | 3 2 2 3 — 4 2 3 0 — tmp+3 — str | 11' |
| 2020 | Symphony No. 3 “Altered Landscape” | 3 3 3 3 — 4 3 3 1 — tmp+3 — hp — str | 35' |
| 2021 | Ephemerae — Concerto for Piano | 3 3 3 3 — 4 3 3 1 — tmp+3 — str | 30' |
| 2022 | Aino | 3 3 3 3 — 4 3 3 1 — tmp+3 — hp — str | 14' |
| 2023 | Loud | 3 2 2 2 — 4 2 3 1 — tmp+3 — hp — str | 8' |
| 2023 | Symphony No. 4 “Eclipse” — I. First Contact | 3 3 3 3 — 4 3 3 1 — tmp+3 — hp — str | 16' |
| 2024 | Shift — Concerto for Trombone | 2 2 2 2 — 4 2 0 0 — tmp+2 — hp — str | 25' |
| 2024 | Symphony No. 5 “Fantástica” | 2 2 2 2 — 4 2 3 1 — tmp+2 — hp — str | 25' |
| 2025 | Symphony No. 6 “Monarch” | 3 3 3 3 — 4 3 3 1 — tmp+3 — hp, cel — str | 35' |
Section counts include doubling players. Always confirm against the publisher's official parts list before contracting musicians or renting materials.