Composer
1900–1950 · German
32 catalogued orchestral works — all with instrumentation confirmed against a source.
| Year | Work | Instrumentation | Dur. |
|---|---|---|---|
| 1921 | Symphony No. 1 | 2[1.2.pic] 1 2[1.2.bcl] 2 — 2 1 1 0 — tmp+1 — str | 25' |
| 1922 | Zaubernacht (Magic Night), op. 7 | chamber ens: fl(pic) · bn — perc — pf — str quintet (2 vn · va · vc · db); solo soprano | 60' |
| 1923 | Quodlibet, op. 9 (suite from Zaubernacht) | 2[1.2.pic] 2 2 2 — 2 2 2 0 — tmp+1 — str | 23' |
| 1924 | Concerto for Violin and Wind Orchestra, op. 12 | solo vn — 2[1.2.pic] 1 2 2 — 2 1 0 0 — tmp+1 — 4 db | 33' |
| 1925 | Der neue Orpheus, op. 16 | solo sop · solo vn — 2[1.pic.2.pic] 2 2 2 — 0 2 2 0 — tmp+1 — hp — str (no vn: 6.6 va · 6.6 vc · 8 db) | 18' |
| 1926 | Der Protagonist, op. 15 | 0 2 2[2b.cl] 0 — 3 0 3 0 — tmp+1 — str | 75' |
| 1927 | Mahagonny-Songspiel (Das kleine Mahagonny) | chamber ens: 2 cl(b.cl) · a.sx — 2 tpt · tbn — tmp+1 — pf — 2 vn | 25' |
| 1927 | Royal Palace, op. 17 · chorus | 3[1.2.pic] 2 2 3[1.2.cbn] — 4 2 2 1 — tmp+1 — str | 45' |
| 1927 | Vom Tod im Wald, op. 23 | bass solo — 10 winds: 2 cl · bn · cbn — 2 hn · 2 tpt · tbn · b.tbn | 9' |
| 1928 | Das Berliner Requiem · chorus | winds & plucked: 2 cl · 2 a.sx(t.sx) · 2 bn — 2 hn · 2 tpt · 2 tbn — tmp+1 — org/hmn · gtr · bjo — no str | 21' |
| 1928 | Der Zar lässt sich photographieren, op. 21 · chorus | 2 2 2 2 — 3 2 2 0 — tmp+1 — pf — str | 60' |
| 1928 | Die Dreigroschenoper (The Threepenny Opera) — complete work · opera | pit band, 7 players: a.sx(fl.cl.bar.sx) · t.sx(s.sx.bn.bcl) — tpt · tbn(db) — tmp(+tpt 2) — hmn(cel/pf) · bjo(vc.gtr.haw.gtr.mand.bandoneon) | 120' |
| 1929 | Der Lindberghflug / Der Ozeanflug (The Lindbergh Flight) · chorus | 2[1.pic.2.pic] 0 2 2 — 0 2 2 0 — tmp+1 — pf · bjo — str | 35' |
| 1929 | Happy End · chorus | pit band, 7 players: a.sx(fl.pic.cl) · t.sx(bar.sx.cl) — tpt · tbn — perc(+tpt 2) — pf(hmn) · bjo(haw.gtr/mand, bandoneon/accordion, b.gtr) | 110' |
| 1929 | Kleine Dreigroschenmusik | wind ensemble: 2[1.2.pic] 0 2 2 — 0 2 1 1 — tmp+1 — pf — a.sx · t.sx(s.sx) · bjo(gtr) · accordion | 22' |
| 1930 | Aufstieg und Fall der Stadt Mahagonny · chorus | 2[1.pic.2.pic] 1 1 2[1.2.cbn] — 2 3 2 1 — tmp+1 — pf · hmn(ad lib) · bjo · b.gtr · bandoneon — str — 3 sx(s.sx/a.sx/t.sx) | 140' |
| 1930 | Der Jasager (The Yes-Sayer) · chorus | school-opera ens: fl · cl · a.sx — perc — 2 pf · hmn — str (no va); plucked ad lib (gtr/bjo/lute) | 35' |
| 1932 | Die Bürgschaft · chorus | 2[1.pic.2.pic] 2 2 2[1.2.cbn] — 0 3 2 1 — tmp+1 — 2 pf — str | 150' |
| 1933 | Der Silbersee (The Silver Lake) · chorus | 2[1.pic.2.pic] 1 2 1 — 0 2 2 0 — tmp — hp · pf — str | 120' |
| 1933 | Die sieben Todsünden (The Seven Deadly Sins) | 2[1.pic.2.pic] 1 2 1 — 2 2 1 1 — tmp+1 — hp · pf · bjo(gtr) — str | 35' |
| 1934 | Suite panaméenne (Panamanian Suite, from Marie galante) | chamber ens: 2 fl · a.sx(fl.cl) · a.sx(cl) · t.sx(s.sx) — 2 tpt · tbn — perc — pf · accordion · gtr(bjo) — 2 vn · va · db | 11' |
| 1934 | Symphony No. 2 | 2[1.pic.2.pic] 2 2 2 — 2 2 2 0 — tmp — str | 28' |
| 1935 | Der Kuhhandel (A Kingdom for a Cow) · chorus | 2 1 2[1.a.sx.2.t.sx] 1 — 1 2 2 1 — tmp+1 — hp · org/hmn(accordion) · gtr(bjo/b.gtr) — str | 140' |
| 1936 | Johnny Johnson | pit band: reed1 cl(Eb.cl.b.cl) · reed2 cl(a.sx.bar.sx) — 2 tpt · tbn — tmp+perc (1 player) — Hammond org(pf) · gtr(bjo) — 2 vn · vc | 120' |
| 1938 | Knickerbocker Holiday · chorus | pit orch: fl(pic) · reed1 ob(cl.a.sx) · reed2 cl(b.cl.a.sx) · reed3 cl(t.sx.bar.sx) — 2 tpt · 2 tbn — tmp+1 — org · pf · gtr — str | 120' |
| 1941 | Lady in the Dark · chorus | pit orch: fl(pic) · reed1 cl(a.sx) · reed2 cl(b.cl.a.sx.bar.sx) · reed3 cl(t.sx.ob) — 3 tpt · tbn — tmp+1 — Hammond org · pf — str (no va) | 120' |
| 1943 | One Touch of Venus · chorus | pit orch: reed1 cl(a.sx) · reed2 cl(b.cl.a.sx) · reed3 cl(t.sx.fl.pic) · reed4 cl(a.sx.t.sx.fl.pic) — 3 tpt · tbn — tmp+1 — pf — str | 120' |
| 1945 | The Firebrand of Florence · chorus | 1[1.pic] 1 2 1 — 2 3 1 0 — tmp+1 — hp · gtr — str | 130' |
| 1946 | Street Scene (An American Opera) · opera · chorus | 1[1.pic] 1 3[1.2.bcl] 1 — 2 2 2 0 — tmp+1 — hp · pf(cel) — str | 150' |
| 1948 | Down in the Valley · chorus | 2 1 2 1 — 2 2 2 0 — tmp+1 — pf · gtr — str (no va) | 35' |
| 1948 | Love Life · chorus | pit orch: 5 reeds (cl/sx/fl/pic/ob/bn doubles) — 3 tpt · tbn — tmp+1 — pf(accordion) · gtr(bjo) — str (no va) | 150' |
| 1949 | Lost in the Stars · chorus | pit band: reed1 cl(a.sx.fl) · reed2 cl(t.sx.ob.eh) · reed3 cl(b.cl.a.sx) — tpt — tmp+1 — hp · pf(accordion) — 2 va · 2 vc · db | 120' |
Section counts include doubling players. Always confirm against the publisher's official parts list before contracting musicians or renting materials.