Komponist

Ottorino Respighi

1879–1936 · Italian

36 katalogisierte Orchesterwerke — alle mit gegen eine Quelle bestätigter Besetzung.

JahrWerkBesetzungDauer
1910Semirâma (poema tragico / tragedia lirica in 3 atti) · Chor3 3 4 3 — 6 3 3 1 — tmp+4 — hp cel org — str140'
1914Il tramonto (mezzo & strings)str15'
1914Marie Victoire (opera in 4 atti e 5 quadri) · Oper · Chor3[1.2.pic] 3[1.2.eh] 3[1.2.bcl] 2 — 4 3 3 1 — tmp+3 — hp — str150'
1914Sinfonia drammatica3[1.2.pic] 3[1.2.eh] 3[1.2.bcl] 3[1.2.cbn] — 6 4 3 1 — tmp+perc — 2 hp cel — str55'
1916Fontane di Roma (Römische Brunnen)3[1.2.pic] 3[1.2.eh] 3[1.2.bcl] 2 — 4 3 3 1 — tmp+3 — 2hp, cel, pf, org — str16'
1917Antike Arien und Tänze, Suite Nr. 12 3 0 2 — 2 1 0 0 — tmp — hp, kbd — str16'
1919La boutique fantasque — Concert Suite (after Rossini)3[1.2.pic] 3[1.2.eh] 2 2 — 4 3 3 1 — tmp+perc — hp cel — str18'
1919La boutique fantasque (arr. aus Rossini)3[1.2.pic] 3[1.2.eh] 2 3[1.2.cbn] — 4 2 3 1 — tmp+perc — hp cel — str35'
1920Ballata delle gnomidi3[1.2.pic] 3[1.2.eh] 3[1.2.bcl] 3[1.2.cbn] — 4 3 3 1 — tmp+perc — hp cel — str15'
1920La pentola magica (The Magic Pot) — azione coreografica in due quadri2 1 2 1 — 2 2 3 0 — tmp+3 — hp cel — str30'
1920Le astuzie femminili — balletto (after Cimarosa)2[1.2/pic] 2 2 2 — 2 2 3 0 — tmp+2 — kbd — str13'
1920Scherzo veneziano (Le astuzie di Colombina) — azione coreografica2[1.pic] 1 2 1 — 2 2 3 0 — tmp+3 — hp cel — str35'
1920Sèvres de la vieille France — azione coreografica2 1 2 1 — 2 0 0 0 — 1 perc — hp cel — str30'
1921Konzert gregoriano (Violine und Orchester)2[1.pic] 3[1.2.eh] 2 2 — 4 2 3 1 — tmp — hp cel — str28'
1922La bella dormente nel bosco (fiaba musicale in 3 atti) · Chorchamber pit: 1 1 1 1 — 1 1 1 0 — 2 perc — cel.hpsd.pf — str66'
1923Antike Arien und Tänze, Suite Nr. 23 3 2 2 — 3 2 3 0 — tmp — hp, kbd — str19'
1923Belfagor (commedia lirica in un prologo, due atti e un epilogo) · Chor3[1.2.pic] 3[1.2.eh] 4[Ebcl.1.2.bcl] 3[1.2.cbn] — 4 3 3 1 — tmp+4 — hp cel — str130'
1924Pini di Roma (Pinien von Rom)3[1.2.pic] 3[1.2.eh] 3[1.2.bcl] 3[1.2.cbn] — 4 3 3 1 — tmp+5 — hp, pf, cel, org — 6 buccine — str22'
1925Konzert in modo misolidio (Klavier und Orchester)3[1.2.pic] 3[1.2.eh] 2 2 — 4 3 3 1 — tmp+perc — hp — str33'
1925Poema autunnale (Violine und Orchester)2[1.pic] 2 2 2 — 2 0 0 0 — tmp — hp cel — str17'
1925Rossiniana2[1.pic] 3[1.2.eh] 2 2 — 4 2 3 1 — tmp+perc — hp cel — str25'
1926Vetrate di chiesa (Church Windows)3[1.2.pic] 3[1.2.eh] 3[1.2.bcl] 3[1.2.cbn] — 4 3 3 1 — tmp+perc — hp cel pf org — str25'
1927Impressioni brasiliane (Brazilian Impressions)3[1.2.pic] 3[1.2.eh] 3[1.2.bcl] 3[1.2.cbn] — 4 3 3 1 — tmp+perc — hp cel pf — str20'
1927La campana sommersa (The Sunken Bell) — opera in 4 atti · Oper · Chor3[1.2.pic] 3[1.2.eh] 3[1.2.bcl] 2 — 4 3 3 1 — tmp+4 — hp cel org — str150'
1927Trittico botticelliano1 1 1 1 — 1 1 0 0 — perc — hp, kbd — str20'
1928Feste romane (Römische Feste)3 3 4 3 — 4 4 3 1 — tmp+4 — kbd — str25'
1928Gli uccelli (Die Vögel)2 1 2 2 — 2 2 0 0 — tmp — hp, kbd — str20'
1930Metamorphoseon modi XII3[1.2.pic] 3[1.2.eh] 3[1.2.bcl] 3[1.2.cbn] — 4 3 3 1 — tmp+perc — 2 hp cel pf — str35'
1931Antike Arien und Tänze, Suite Nr. 3strings only18'
1932Belkis, regina di Saba — vollständiges Ballett in 7 quadri · Chor4 3 4 3 — 4 4 3 1 — tmp+perc — 2 hp cel pf — str80'
1932Maria egiziaca (mistero in tre episodi) · Chor1 1 2 1 — 2 1 2 0 — kbd — str55'
1934Belkis, Regina di Saba — Suite3[1.2.pic] 3[1.2.eh] 3[1.2.bcl] 3[1.2.cbn] — 4 3 3 1 — tmp+perc — 2 hp cel pf — str25'
1934La fiamma (melodramma in 3 atti e 4 quadri) · Oper · Chor3[1.2.pic] 3[1.2.eh] 3[1.2.bcl] 3[1.2.cbn] — 4 3 3 1 — tmp+2 — hp — str130'
1935Orfeo (Monteverdi, free realisation by Respighi) — favola in musica in 3 atti · Chor3[1.2.pic] 3[1.2.eh] 3[1.2.bcl] 2 — 4 3 3 1 — tmp — 2 hp org — str100'
1937Antiche arie e danze — balletto in 4 quadri (11 brani)4 3 2 2 — 3 2 3 0 — tmp — hp cel kbd — str30'
1937Lucrezia (istoria in un atto e tre momenti)3 3 2 2 — 4 3 3 1 — tmp+2 — str60'

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