Komponist
1872–1958 · British
33 katalogisierte Orchesterwerke — alle mit gegen eine Quelle bestätigter Besetzung.
| Jahr | Werk | Besetzung | Dauer |
|---|---|---|---|
| 1904 | In the Fen Country | 3[1.2.pic] 2[1.2] 2[1.2] 2[1.2] — 4 2 3 1 — tmp — hp — str | 14' |
| 1906 | Norfolk Rhapsody Nr. 1 | 3[1.2.pic] 2[1.2] 2[1.2] 2[1.2] — 4 2 3 1 — tmp+perc — hp — str | 11' |
| 1907 | Toward the Unknown Region · Chor | 3[1.2.pic] 2[1.2] 2[1.2] 2[1.2] — 4 2 3 1 — tmp+perc — hp — str | 13' |
| 1909 | A Sea Symphony (Symphony Nr. 1) · Chor | 3[1.2.pic] 3[1.2.eh] 3[1.2.bcl] 3[1.2.cbn] — 4 3 3 1 — tmp+perc — 2hp — org — str | 70' |
| 1909 | The Wasps — Aristophanic Suite | 2[1.2] 2[1.2] 2[1.2] 2[1.2] — 4 2 3 1 — tmp+perc — hp — str | 25' |
| 1910 | Fantasie über ein Thema von Thomas Tallis | double str orch + solo quartet | 16' |
| 1914 | A London Symphony (Symphony Nr. 2) | 3[1.2.3/pic] 3[1.2.eh] 3[1.2.bcl] 3[1.2.cbn] — 4 4[2tpt.2crt] 3 1 — tmp+3 — hp — str | 43' |
| 1920 | The Lark Ascending | 2 1 2 2 — 2 0 0 0 — +1[tri] — str | 15' |
| 1922 | A Pastoral Symphony (Symphony Nr. 3) | 3[1.2.pic] 3[1.2.eh] 2 2 — 4 3 3 1 — tmp+perc — hp — str | 35' |
| 1923 | English Folk Song Suite (militärkapelle) | 2[pic.fl] 2 7[Ebcl.solo.1.2.3.acl.bcl] 2 — 4sax[a.t.b.bs/cbcl] — 4 5[3crt.2tpt] 3[2.btbn] 1 — 1euph — tmp+3 | 11' |
| 1923 | English Folk Song Suite (Orchesterfassung) | 2[1.2] 2[1.2] 2[1.2] 2[1.2] — 4 2 3 1 — tmp+perc — str | 11' |
| 1924 | Toccata Marziale (militärkapelle) | 2[pic.fl] 2 7[Ebcl.solo.1.2.3.acl.bcl] 2 — 4sax[a.t.b.bs/cbcl] — 4 5[3crt.2tpt] 3[2.btbn] 1 — 1euph — tmp+3 — cb | 5' |
| 1925 | Konzert Accademico (Violinkonzert d-Moll) | str | 15' |
| 1925 | Flos Campi · Chor | 1[1.pic] 1 1 1 — 1 1 0 0 — perc — cel — str | 20' |
| 1930 | Job: A Masque for Dancing | 3[1.2.pic] 2[1.2] 3[1.2.bcl] 3[1.2.cbn] — 4 3 3 1 — tmp+perc — 2 hp — str | 45' |
| 1931 | Klavierkonzert C-Dur | 3[1.2.pic] 2[1.2] 2[1.2] 2[1.2] — 4 3 3 1 — tmp+perc — str | 24' |
| 1934 | Fantasie über Greensleeves | 2[1.2] 0 0 0 — hp — str | 4' |
| 1935 | Sinfonie Nr. 4 f-Moll | 3[1.2/pic.3] 3[1.2/eh.3] 3[1.2.bcl(opt)] 3[1.2.cbn(opt)] — 4 2 3 1 — tmp+2 — str | 32' |
| 1936 | Dona nobis pacem · Chor | 3[1.2.pic] 2[1.2] 2[1.2] 2[1.2] — 4 3 3 1 — tmp+perc — hp — str | 38' |
| 1938 | Präludium on Rhosymedre | 2[1.2] 2[1.2] 2[1.2] 2[1.2] — 2 0 0 0 — str | 5' |
| 1938 | Serenade to Music | 2[1.2/pic] 2[ob.eh] 2 2 — 4 2 3 1 — tmp+1 — hp — str + solo vn + 16 solo voices | 14' |
| 1939 | Five Variants of Dives and Lazarus | hp — str | 13' |
| 1943 | Sinfonie Nr. 5 D-Dur | 2[1.2/pic] 2[ob.eh] 2 2 — 2 2 3 0 — tmp — str | 40' |
| 1944 | Oboenkonzert a-Moll | str | 20' |
| 1947 | Sinfonie Nr. 6 e-Moll | 3[1.2.pic] 2 2 2 — 4 3 3 1 — tmp+perc — hp — sax — str | 32' |
| 1948 | Partita für Double Streichorchester | str | 20' |
| 1949 | Fantasie über the Old 104th Psalm Tune · Chor | 3[1.2.pic] 2[1.2] 2[1.2] 2[1.2] — 4 3 3 1 — tmp+perc — hp — str | 16' |
| 1950 | Konzert grosso für Streichorchester | str | 17' |
| 1951 | The Pilgrim's Progress (complete Morality in a prologue, vier Akte and an epilogue) · Oper · Chor | 2[1.2/pic] 2[1.2/eh] 2 3[1.2.cbn(opt)] — 4 2+2(stage, opt) 3 1+euph(opt) — tmp+3 — hp cel(opt) — str | 130' |
| 1952 | Sinfonia antartica (Symphony Nr. 7) · Chor | 3[1.2.pic] 3[1.2.eh] 3[1.2.bcl] 3[1.2.cbn] — 4 3 3 1 — tmp+perc — hp — org — cel — str | 40' |
| 1954 | Tubakonzert f-Moll | 2[1.2] 2[1.2] 2[1.2] 2[1.2] — 2 2 3 0 — tmp+perc — str | 14' |
| 1955 | Sinfonie Nr. 8 d-Moll | 2[1.2/pic] 2 2 2 — 2 2 3 1 — tmp+perc — hp — cel — str | 28' |
| 1957 | Sinfonie Nr. 9 e-Moll | 3[1.2.pic] 2 2 2 — 4 3 3 1 — tmp+perc — hp — sax — flugelhorn — str | 34' |
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