Komponist
1916–1983 · Argentine
29 katalogisierte Orchesterwerke — 28 mit gegen eine Quelle bestätigter Besetzung, 1 noch als TBD gekennzeichnet. Wir veröffentlichen lieber TBD als eine Schätzung.
| Jahr | Werk | Besetzung | Dauer |
|---|---|---|---|
| 1935 | Concierto argentino | 2[1.pic] 1[eh] 3[1.2.bcl] 2 — 2 2 1 0 — tmp+perc — hp, cel — str | 18' |
| 1937 | Panambí: vollständiges Ballett, op. 1 · Chor | TBD | 37' |
| 1937 | Panambí: Suite, op. 1a | 4[1.2.3.pic] 3[1.2.eh] 4[1.2.3.bcl] 3[1.2.cbn] — 4 3 3 1 — tmp+4 — 2hp, cel, pf — str | 17' |
| 1938 | Salmo 150 (Psalm 150), op. 5 · Chor | 4[1.2.3.4/pic] 3+Eh 3+bcl 3+cbn — 4 4 3 2 — tmp+perc — 2hp — cel, pf — str | 18' |
| 1941 | Estancia: vollständiges Ballett, op. 8 | 2[1.2/pic] 2 2 2 — 4 2 0 0 — tmp+perc — pf — str — bar (canta y recita) | 35' |
| 1941 | Estancia: vier Tänze, op. 8a | 2[1.2/pic] 2 2 2 — 4 2 0 0 — tmp+perc — pf — str | 12' |
| 1943 | Obertura para el “Fausto” criollo, op. 9 | 3[1.2.pic] 2 2 2 — 4 3 3 1 — tmp+3 — hp — str | 8' |
| 1947 | Ollantay, op. 17 — Three Symphonic Movements | 3[1.2.pic] 3[1.2.eh] 3[1.2.bcl] 3[1.2.cbn] — 4 3 3 1 — tmp+3 — hp, cel — str | 17' |
| 1953 | Variaciones concertantes, op. 23 | 2[1.2/pic] 2 2 2 — 2 1 1 0 — tmp — hp — str | 23' |
| 1954 | Pampeana Nr. 3 — Pastoral Symphony, op. 24 | 3[1.2.pic] 3[1.2.eh] 3[1.2.bcl] 3[1.2.cbn] — 4 3 3 1 — tmp+3 — hp, cel — str | 20' |
| 1960 | Kantate para América Mágica, op. 27 | solo dramatic S — 2tmp — 11perc — 2pf — cel | 25' |
| 1961 | Klavierkonzert Nr. 1, op. 28 | 3[1.2.pic] 3[1.2.eh] 3[1.2.bcl] 3[1.2.cbn] — 4 3 3 1 — tmp+4 — hp, cel — str | 25' |
| 1963 | Violinkonzert, op. 30 | 3[1.2.pic] 3[1.2.eh] 3[1.2.bcl] 3[1.2.cbn] — 4 3 3 1 — tmp+5 — hp, cel — str | 30' |
| 1964 | Kantate Bomarzo, op. 32 | 1[1/pic] 1[1/eh] 1[1/Ebcl/bcl] 1[1/cbn] — 1 1 1 0 — 2perc — hp — hpd, pf — str (incl. va d'amore) | 26' |
| 1964 | Don Rodrigo, op. 31 · Oper · Chor | 3[1.2/afl.3/pic] 3[1.2.3/eh] 3[1.2.3/bcl] 3[1.2.3/cbn] — 6 4 4 1 — tmp+6 — hp — cel — str | 105' |
| 1964 | Sinfonía 'Don Rodrigo', op. 31a | 3[1.2.3/pic] 3 3[1.2.3/bcl] 3[1.2.3/cbn] — 6 4 4 1 — 2tmp+3 — hp, cel, mand — str | 25' |
| 1965 | Konzert per corde, op. 33 | str | 23' |
| 1965 | Harfenkonzert, op. 25 | 2[1.2/pic] 2 2 2 — 2 2 0 0 — tmp+3 — cel — str | 25' |
| 1967 | Bomarzo, op. 34 · Oper · Chor | 2[1.2/pic] 2[1.2/eh] 2[1.2/Ebcl/bcl] 2[1.2/cbn] — 3 3 3 0 — tmp+3 — hp — hpd, pf[cel] — str | 140' |
| 1968 | Cellokonzert Nr. 1, op. 36 | 3[1.2.pic] 3[1.2.eh] 3[1.2.bcl] 3[1.2.cbn] — 4 3 3 1 — tmp+4 — hp, cel — str | 35' |
| 1971 | Beatrix Cenci, op. 38 · Oper · Chor | 3[1.2.3/pic] 3[1.2.3/eh] 3[1.2.3/bcl] 3[1.2.cbn] — 4 4 4 1 — tmp+3 — hp — cel, org — str | 85' |
| 1971 | Milena, op. 37 — kantate für Sopran und Orchester | 3 3 4 3 — 4 4 4 1 — tmp+4 — 2hp — pf/cel — str | 23' |
| 1972 | Klavierkonzert Nr. 2, op. 39 | 3[1.2.pic] 3[1.2.eh] 3[1.2.bcl] 3[1.2.cbn] — 4 3 3 1 — tmp+4 — hp, cel — str | 30' |
| 1974 | Turbae ad Passionem Gregorianam, op. 43 · Chor | 3 3 3 3 — 4 4 4 1 — tmp+4 — hp, kbd — str | 60' |
| 1976 | Glosses sobre temes de Pau Casals, op. 46/48 | str + solo str quintet “in lontananza” (op. 46) · full orch version (op. 48) | 22' |
| 1980 | Cellokonzert Nr. 2, op. 50 | 3[1.2.pic] 3[1.2.eh] 3[1.2.bcl] 3[1.2.cbn] — 4 3 3 1 — tmp+4 — hp, cel — str | 35' |
| 1980 | Iubilum — Celebración sinfónica, op. 51 | 3[1.2.pic] 3[1.2.eh] 3[1.2.bcl] 3[1.2.cbn] — 4 4 3 1 — tmp+4 — hp, cel — str | 12' |
| 1983 | Popol Vuh — The Mayan Creation, op. 44 | 4[1.2.3.pic] 4[1.2.3.eh] 4[1.2.3.bcl] 4[1.2.3.cbn] — 4 4 4 1 — tmp+5 — 2hp, cel, pf — str | 26' |
| — | Concierto argentino para piano y orquesta | 2 2 3 2 — 2 2 1 0 — tmp+perc — hp — kbd — str | — |
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